Thursday, April 1, 2010
Andrew in Lilongwe, Malawi on St. Patrick's Day
Monday, March 29, 2010
Being willing to sound bad
Brenda, a friend of mine, posted on Facebook awhile back, “that in order to be good at something, you have to first be willing to be bad at it for quite a while”…
About a week before I had stumbled onto this post, I’d already committed to playing the ukelele for 15 minutes a day. I wanted to eventually get to the point where I could say with complete authenticity, “Yes, I CAN play the ukelele!”
I was “showing up” everyday to play, and was just beginning to realize how far I needed to travel to get to that place of being able to play - not kind of play, but really play. And I realized that there’s a looooong way between those two places.
I began to feel a tad defeated because I’m a perfectionist, and that nagging voice began blabbering away in my head. I remembered when I tried to learn to play the guitar light years ago, at age 12, and my fingers were crying after just a few minutes of making chords. So I gave up. I had been playing the flute and piano for a couple of years, and those instruments didn’t inflict pain on me, only the desire to keep on playing and nailing the pieces of music I was working on. But the guitar? Mmm mmmm. There was a huge absence of desire to press on and accomplish the mastering. So I let the guitar go, and it was a bittersweet decision.
For so many of us who’ve put down an instrument during our childhood or teenage years, for whatever reason, we often end up regretting it.
So back to the ukelele and Brenda’s post…I’d put in my fifteen minutes of practice for the day, complete with oven timer, whose annoying beep-beep-beep also congratulates me that I have accomplished my little ukelele music goal for the day. Those familiar thoughts from the sixth grade again began to take over – My fingers are hurting. This is gonna take forever. FOREVER…..blah blah blah.
To get out of that negative self talk in my head, I sat down at the computer so I could conveniently escape those rants in my head for a bit and check out who is doing what on Facebook. I’m reading, scanning, skimming and then bam, I read Brenda’s post. I chant this to myself several times – “in order to be good at something, you have to first be willing to be bad at it for quite a while”… Wow. Her words stick like peanut butter on toast and I realize she's dead on right about this.
I’ve been mulling this over many times in the last couple weeks and for me, the biggest challenge is the willing part. I have to be willing to sound bad, go slow, make a zillion mistakes, make the chord changes sloppily and badly. I have to be willing to sound badly. I have to be willing to accept that I sound badly. By being willing to be great at sounding bad, I can be a teeny bit better in another week. And in the week after that. And when my contra dance band, Fly By Night, gets together a month from now for its first rehearsal with me playing my ukelele on some Old Time tunes, I might just have a helluva great time.
And no doubt, I will not only be proud of myself for having been so good at willing to sound bad, that eventually, I will be able to see there is definitely the possibility to sound good. Maybe even pretty good! Now THAT fuels me on right now to pick up my very cute, little ukelele. For fifteen minutes. Just for today.
Thank you, Brenda.
Thursday, March 25, 2010
My birthday wish for Erin
I’m fascinated by kids who play instruments and whose parents never did. I’m fascinated that my mother and father who never played a record in our house, or took us to see live music, except for a symphony once (and that’s a story for another day) birthed someone whose life revolves around it so much. …and whose life has been a wreck when music wasn’t a central theme.
I always knew I’d play music. My brother never had that thought. He thought he’d try the cornet in middle school and he stuck it out for a couple of years. But it didn’t speak to him the way music spoke to me.
Both he and his wife, by their own admission, would not describe themselves as musical. And yet they have these kids who love to play music. Lizzie, age 15 and my namesake, plays the flute and loves it – the flute itself, the practicing, going to lessons, playing in the band at school. She LOVES it. And she loves her teacher which is an amazing gift in itself.
Emily, age 12, plays the saxophone and is extremely skilled at it, but doesn’t pick it up at home to practice. She plays in the band at school and because she’s so talented, can get away with it. It doesn’t speak to her. She’s been hankering to play the guitar and I’ve been encouraging her Dad and my sister in law, Jen, to put one in her hands. Once they do, I have no doubt she’ll be practicing all the time because she’ll be excited to. And motivated. And no doubt, she’ll excel at it. All her musicality will just transfer onto the guitar, like a duck to water. She’ll just need to adjust to a different pond.
Christopher, is just ten and is learning to play the clarinet. The elementary school band needed a bass clarinet so asked him if he’d rise to the challenge, and he said yes. Not only is he enjoying it, but it’s BIG. He likes that.
Erin, the youngest, is eight, and sees all these different instruments coming in and out of the house. She hears them honking and tooting on a regular basis. I wonder if she thinks, “I like that. I don’t like that. I’d like to play that. I’d hate to play that…” As she’s about to turn nine this week, I’ve been wondering what instrument will call out to her. Perhaps the saxophone that her sister, Emily, doesn’t want to play anymore, or something different. Something that separates her from the rest of the bunch.
I hope she knows that she’s musical already. I hope that when it’s time for her to be old enough to be in the school band, she’ll know clearly which instrument she wants to play, and doesn’t. That’s just as important, if not more so……. Who would want to play the trombone when it’s the harp that speaking to you? Who wants to play in the band when it’s a cello that is really appealing? Who wants to play anything melodic when it’s the drum line, and pounding out the beats on all kinds of loud, round things, that makes your heart race?
And maybe there won’t be an instrument that calls her name. Time will tell. I just hope for her that she knows the music is inside her. Now. When she’s older. When she’s 30 and 55 and 70. Always.
Happy Birthday, Erin!
Tuesday, March 23, 2010
The Animal Boogie is now animated!!!
The Animal Boogie is our bestselling title and it's now on sale for a short time!
Hardcover with Music CD $14.99 (regularly $16.99)
Paperback with Music CD $8.99 (regularly $9.99)
*OFFER VALID UNTIL 31 MARCH 2010.
Monday, March 22, 2010
Out Here on the Sea
Tuesday, March 9, 2010
Ukelele: Get ready, set, go!
Concert Highlight of the Year is about to happen!
Friday, February 19, 2010
Toyland, Toystory, TOYS!
Tuesday, February 16, 2010
Village "Day on the Farm" Dress Up Day
Saturday, February 13, 2010
Our Time Train & Car Dress Up Day
Down By the Station, Will Hillenbrand
Clickety Clack, Rob & Amy Spence
Mama Zooms, Jane Cowen-Fletcher
This Train, Paul Collicutt
All Aboard the dinotrain, Deb Lund
The Train to Timbuctoo, Margaret Wise Brown
Choo-Choo Clickety-Clack, Margaret Mayo
If you have a wonderful train-theme book suggestion, I would LOVE to hear it! Especially if it's not too long, has great pictures, isn't too wordy, and best of all, can be sung!
To all our little engineers, train cars and cabooses - All aboard!
Thursday, February 4, 2010
Make 2010 the year for Music Education-watch and see why.
Friday, January 29, 2010
Fashion Show & Tell Coming to a KM class with you!
Why not celebrate our fourth week together, and the first full week of February, with dressing our little ones with clothes of a class theme?!
Not only will it make our class together a little more entertaining for us adults, but it gives the little ones a chance to shine for a moment. These little ones LOVE, need and deserve to be acknowledged. So, here are my suggestions:
So for the week of February 1st: For the Our Time classes, something train or car oriented. It’s what the Away We Go curriculum has been all about these past three weeks. I have a feeling that many a child has something adorned with Thomas the Train – shoes, pants, shirt, socks, hat, pj’s, jacket, anything. I’ve even had little kids show me their Thomas the Train underwear! For those of you whose child doesn’t own anything with a train theme, let them wear what they think is special. That’s what matters anyway.
For the Imagine That classes, something toy related. Our class is based on our experiences in the pretend toy shop and while it could be ANY toy, we’ve been specifically singing and moving like jack-in-the-boxes, balls, drums and spinning tops.
For the Village class, how about something farm related? We’ve been moving and bouncing and singing to Old MacDonald, so I can just see these twelve babies in assorted sheep and cows and teddy bears and cats and dogs and……THIS class might be the easiest one to dress for!
Sunday, January 24, 2010
Feeling the Joy!
Here's little Miss Adele having a blast in a Village class – could this baby BE any more joyful, happier, delighted? No!!!
She is in the moment, and because she is, so is Kelly, her wonderful mom.
Aside from all the FUN that Adele is having, she is also experiencing a whole host of experiences that a Kindermusik class provides: movement and music and rhythm and steady beat and laughter and vestibular system stimulation and tempo and about fifty other areas of brain development.
In many of the classes this past week, when I remembered to (!), I pointed out the quote I’d posted on the bulletin board behind my instrument table - “When we treat our children’s play as seriously as it deserves, we are helping them to feel the joy that’s to be found,” by Fred Rogers and Barry Head.
In this picture it is clear that joy is being felt, experienced, shared. When we experience it ourselves, well, what a blessing. When we experience it in a group, it becomes something that, by virtue of simply being together, we are reminded how important it is to be in this moment, be here now, that everything important is right here, right now.
This got me to thinking about the following article I thought you might find interesting and valuable. It is adapted from the Nov/Dec 1999 issue of Kindermusik Notes and was originally written by Anne Green Gilbert, Director of the Creative Dance Center and Kaleidoscope Dance Company in Seattle, Washington, and a consultant for Kindermusik International.
What is really cool about the reference to Anne is that long-time Kindermusik parent, Mary Beth Tanner studied with her in Greensboro, where Mary Beth majored in dance. It’s a small world!
Music and Movement: The Keys to Learning
Music and movement are magical ingredients to learning for both parent and child. A baby's first communication is through movement. A toddler will respond immediately to lively music with what seems to be humorous gyrations but to him are quite serious attempts to coordinate movement with rhythmic patterns. The young child seems to be moving constantly - leaping off couches, rolling down hills, and spinning around and around until she falls down in a giggling flop on the floor.
Our brains fully develop through movement activities such as crawling, rolling, turning, walking, skipping, reaching, swinging and much more. The brain has a plan for development that involves specific and intensive motor activities to make full use of our complicated nervous system. The nervous system of each human being must go through a series of developmental stages before the brain can operate at its full potential. All children "program" their motor and perceptual equipment, nerves and brain cells by using their whole body and all their senses.
Movement is fundamental for the development of the central nervous system but movement and rhythm are also essential for the development of the soul. When a parent moves with her infant, a special bonding takes place that is extremely important for social and emotional growth. When a parent sings to her child, not only are language skills being developed, but also a sense of love, comfort and harmony. The special touching, laughing and rhythmic moving that takes place in a music and movement class lays a very strong and much needed foundation for a happy, healthy and joyful life!
The Kindermusik curricula are especially designed to provide opportunities for infants, toddlers, pre-schoolers and young children to learn through interactive music and movement activities. Kindermusik class provides parents and children a variety of stimulating experiences that will be beneficial for everyone.
Movement activities are key components to all Kindermusik curricula:
· Intentional touch is designed to provide stimulation of the nervous system, relaxation and bonding.
· Activities involve unilateral, bi-lateral and cross-lateral movements that help develop the brain and muscles.
· Movement and dance steps allow the caregiver and child to experience different rhythms and locomotor movements.
· Synchronized dances develop sequencing, provide reassuring repetition and social interaction.
· Expressive movement provides variety, creativity and opposing feelings such as fast and slow, high and low.
· Rocking and swinging stimulate the vestibular system, which is so important to balance and even eye movement.
· Props, such as the "humongous" scarves, provide tactile and visual stimulation.
Kindermusik At Home materials extend these music and movement activities so you can explore, dance and sing at home. Only on Kindermusik CDs will you find such a wide diversity of musical styles from different cultures that evoke different types of movement.
Put on your Kindermusik CD at home and don't worry about performing the dances the "right" way. Don't even worry about right and left! Just move to the music and adapt and vary the steps if necessary so that you feel comfortable and have fun!